Curiously Creative Collaboration

The first time I saw the work of of A.G. Quinn I was enchanted. I immediately marked her as a favorite, and especially the badger portrait. I have seen “mash up portraiture” before. In fact, it goes back to the earliest days of photography. Still, There was something special about her work. The tilt of the head matches angle of the body perfectly. The backgrounds are seamless and the light balance makes the whole image smooth and believable. Combined with the use of mica and traditional framing techniques, the overall effect whisks you away to another time.

Imagine my surprise and delight when she emailed me and asked if I would like to to collaborate on a line of jewelry! I was even more surprised to see that we shared the good fortune of living in Seattle. We emailed back and forth for a bit, discussing our visions of what things might look like, and agreed that this would indeed be a good fit for our work. We met at my studio, and then, the real fun began.

We based these designs on various sources, including Victorian and Regency era “sweetheart” portraits, hand painted Limoges, Fabrege settings, and traditional mourning jewelry. I added a few steampunk touches here and there, because after all, they do live in an alternate universe.

I have not made any copies of the source material that she gave me, but rather worked directly with the photographic contact sheets that she supplied. This keeps the images sharp, clear and true to the original quality. Ms. Quinn’s work is too special to be mass produced!

Each one of these items is absolutely one of a kind, a piece of wearable art that is sure to become the prize of your collection.

How to Create a Photography Studio in Two Square Feet of Space

How to take pictures like a pro, or at least trick people into thinking that you have a large, spacious studio.First of all, get the best camera you can afford. Bring a piece of your work to the camera store, and a piece of something that you use for a backdrop, and use the store cameras to take pictures. Play with the different settings, but pay special attention to our dear, beloved MACRO setting. Your camera can make you look like a total genius, or a complete newbie, so think long and hard about spending that extra $50 for image stabilization (it's worth it!)

My personal favorite is the Canon PowerShot SX100IS with a 10x zoom. The camera increased the quality of my listings so much, my sales picked up immediately, and I had the camera costs completely covered within two weeks. Talk about a good investment!
Second, you will need a West facing window if you are an afternoon worker, or an East facing window if you are a morning person (I've hear they exist, but I've never been up early enough so actually see one.) Then, you'll have to clear off some space on that desk or table that's under the window. (HAHAHAHAHAHA! - no, really. You need to clear that off. )

You'll need some sort of white scrim to filter out the light and soften the shadows, without making the space too dark. I like white silk dupioni, which you can get at any fabric store back in the bridal section. Get two pieces. One for your tabletop, and one for the backdrop. If you want to be really efficient, have an extra piece on hand in case you get a big smudge on your tabletop cloth and you have to go wash it. You can use the backup and keep on working.
You'll need a few extra bits, like some 20# printer paper to use as an additional light diffuser for things that are extra glossy (like cabochons and watch cases), and you'll need a few nice props. The mistake that most people make is that they think they need a zillion props to keep their pictures interesting. Your WORK should be keeping the picture interesting, and the props should be there to hold your work up to the light. Clear and frosted glassware are always good bets. A simple necklace form and hand form are essential. I've found that a wine glass is perfect for earrings. Cheap and easy props can be found at NileCorp
Now here's the tricky part. You have to wait for a sunny day, where the light hits your window just right. In the summer, I spend at least half my day taking pictures. In the winter, I can go weeks and weeks without being able to photograph a single thing. The you get a sun break, you go madly rushing toward your little studio, get your work out, get the camera ready (Oh no, the batteries are dead!) Rush around looking for batteries, and then the sun will go behind the clouds for another three weeks.

This leads me to my final point. Be Prepared. Keep everything that's waiting for pictures in one place. Keep your photograph area clean and organized at all times. Do not let grubby little fingers play over there, do not set your coffee cup there, do not leave yesterday's mail there.

One last tip. If you have pets who shed, keep a can of compressed air handy and hold it an an angle to your tablecloth. Give it a good blast right before you start work. Macro shots will pick up EVERYTHING in the frame, whether you want it there or not.

Click through my Flickr Group, and you'll get a feel for the kind of natural light that I prefer to work with. No extra lighting of any kind was used. Just what the sun sent in through the window and the fabric.

A Little Adventure

Don't panic, it's not my house. This house is up the street and around the corner from my apartment building.

Today, I decided to go on a little photo shoot. I am madly in love with textures of any kind, and a burned out shell of a house turned out to be a treasure chest of images. (full photo set here. )

It was blazingly hot as I approached the house, but I could feel a cool breeze coming from the dark interior. Tall grass and wildflowers competed with the remains of the garden along the walk up, with lazy bumble bees droning about. The smell of linden blossoms and clover was so thick in the air that it tasted like honey on my tongue.

The house has stood empty for many years. It had no scent of it's own. No charcoal or soot scent, or even mildew or mold. I seemed oddly antiseptic. There was no sign of kids partying or vagrants squatting, either. Aside from a couple of tiny spiders, the place was completely deserted. The house stands on a large corner lot, quite separate from it's neighbors, with large laurel and rose hedges all around. I could have been in another country, or on Mars.

As I stepped into the cool, dark interior, it occurred to me that I hadn't told anyone where I was or what I was doing. Part of me thought that it was a stupid thing to do - what if I got hurt? Another voice chimed in that if I had told anyone, they'd just tell me not to go because it might be dangerous. To heck with that! I figured I had my cell phone with me, and that would just have to be good enough.

I stomped my feet each step ahead of me before I put my full weight down, in case the floor boards decided to give in. There was a full basement under me, and I didn't particularly want to end up down there. Some areas were blocked by debris, but by going around back I could reach just about all parts of the house. It was a very small, very badly laid out 1930's starter home, what a realtor would call a "cottage". It was probably sorta cute when it was new.

The location was amazing, the view from the back porch stretched all the way across Rainier Valley and beyond. I walked gingerly through the thick layer of charcoal and plaster dust on the ground, being very careful not to disturb anything. The house had the sacred feel of an Indian burial ground or a crime scene, or maybe a cathedral. I knew that I would only want to take pictures of things as I found them, not in any posed sort of way. The house rewarded me for my respect.

When I felt like I had seen enough for this trip, it was like being full from a huge buffet. The sights, sounds, textures, details were so filling. I knew that I couldn't just walk straight back to my apartment, so I took the long way around and photographed flowers along the way. (I'll save the flowers for another post.) The whole experience was simply delicious.